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Wednesday, July 30, 2008

Shehzad Roy Talks About His Album In Capital Talk

After Releasing His Album And New Video Of Laga Reh Its The First Time Shehzad Is Coming To Any TV Program i-e Capital Talk - A Very Popular Program For Political Discussions. In The Program Imran Khan And A Minister Qamar Zaman Qaira Were Also There. Shehzad Talked There About His Album And Why Did He Decide To Write This Song.He Explained His Views On Current Situation Of Pakistan. Imran Khan Also Praised Him For His Work.

So Watch Out The 2nd Part Of The Program Below:


For Complete Program Search "Shehzad roy capital talk" in Youtube

Overload signs an album deal with Universal Records

The Hot News Is That Overload - A Pakistani Band - Has Signed An Album Deal With Universal Records.One Of The Band Member Farhad Humayun Says In His Statement:

"Dear folks! I am pleased to announce that Overload has signed a deal with Universal Records for the upcoming release. Universal will release the band in Worldwide & in India in November. Other bands on Universal Records are Sting, U2, Mariah Carey, Rihana, Aerosmith, Audioslave, Bon Jovi and hundreds more! Thanks for all your support & love! Bohat aalaaaa!"

Watch & Download - Laga Reh Music Video By Shehzad Roy

Here We Have Got Shehzad Roy's Latest Video Of Laga Reh From His Album Qismat Apnay Haat Mein And It Is Not Tagged With Any Site So Website owners & Bloggers Can Also Put This Video To Download On Their Pages

Download Laga Reh Video Now





or Watch The Video Below:

Tuesday, July 29, 2008

Download Qismat Apnay Haat Mein Album Ripped @ 256 KBPS

After Getting Many Requests Of High Quality Album Download We Are Now Giving Up The "Qismat Apnay Haat Mein" Album Ripped In High Quality [256 KBPS]

Here Are The eXclusive Links Of The Album:




View this file in a new window. 01-Ek_Baar.mp3 11.08 MB
07/29/2008 12:26 PM
View this file in a new window. 02-Khul_Kay_Piyaar.mp3 8.64 MB
07/29/2008 11:10 AM
View this file in a new window. 03-Qismat_Apnay_Haat_Mein.mp3 8.62 MB
07/29/2008 11:04 AM
View this file in a new window. 04-Laga_Reh.mp3 8.92 MB
07/29/2008 11:16 AM
View this file in a new window. 05-Aankhien.mp3 8.54 MB
07/29/2008 10:59 AM
View this file in a new window. 06-Quaid-e-azam.mp3 7.61 MB
07/29/2008 10:45 AM
View this file in a new window. 07-Zindagi_Feat._Abida_Parveen.mp3 10.26 MB
07/29/2008 11:37 AM
View this file in a new window. 08-Janay_Kahan.mp3 9.84 MB
07/29/2008 11:23 AM
View this file in a new window. 09-Darwaza.mp3 10.09 MB
07/29/2008 11:30 AM
View this file in a new window. 10-Baro_Chal_Tribute_to_Mai_Bhagee.mp3 7.88 MB
07/29/2008 10:51 AM
View this file in a new window. 11-Aankhien_(Violoncello_Version).mp3 9.02 MB
07/29/2008 12:47 PM

tags: download free music,download albums , free mp3 downloads,muziq,bands,artists,get albums, music updates,download free,free music downloads

Abhijeet Bhattacharya's Anti Pakistan Views

Abhijeet has expressed outspoken views against allowing Pakistani singers in Bollywood, pointing to the lack of reciprocity from the Pakistani film industry. Together with ghazal singer Jagjit Singh, in 2003 he formally requested the government to ban Pakistani singers. In an interview in 2003, he attacked Pakistani singers Adnan Sami and Nusrat Fateh Ali Khan.

In July 2007, he physically attacked a film-employee Union leader, accusing him of being a "pimp of Pakistani singers". The fracas was related to Abhijeet's alleged non-payment of dues to a lyricist. (Mumbai Mirror July 25, 2007) Abhiijeet has also recently attracted controversy for negative comments on rival singer Bappi Lahiri. The two men are judges on rival TV talent shows in 2007, with Lahiri's show including Pakistani contestants. In 2008, he made fun of Ek Se Badhkar Ek contestant Aneek Dhar for singing a hit song of the year sung by Pakistani singer Atif Aslam 'Pehli Nazar Mein' from Race movie. He stated he will give Aslam a zero, but aneek full marks(He gave him 7/10 eventually). Recently, he was ousted from a reality show after he insulted a Pakistani contestant and refused to judge his singing. Abhijit believes in giving work to young talents in india, rather than helping other rival countries. Abhijeet told the Mumbai Mirror, "I've given up Rs. 50 lakh only because I am fighting for a cause. Why should we promote Pakistani talent, when there is so much good talent in our country?

Source : WikiPedia

Sunday, July 27, 2008

Pakistani Pop Singer Hadiqa Kayani Moves To London


Hadiqa had recently shifted to Lahore from Karachi but after her marriage she finally decided to move abroad. Reportedly she had already bought a house in London that was being renovated.

*It is pertinent to mention that Hadiqa had recently married a British businessman.

Source : http://paktribune.com/news/index.shtml?203093


Zeb & Haniya New Video Chup To Be Directed By Babar Shaikh



With their album and video being talk of the town, musicians Zeb and Haniya are hardly staying quiet. Teaming up with director / musician Babar Shaikh they’re already working on a follow up video to Aitebaar.

“The girls approached me because they had seen what I had done with Paheliyan (by Mauj). It was something different, very vibrant and colourful.”

The director has a knack of envisioning unique and stylistic videos, while his last offering was taking Mauj for a haircut; he has a very interesting idea up his sleeve for the dynamic girl duo. “I’m going to be directing the video to Chup. It’s going to be quirky, funny and different. A sort of sarcastic look on the materialistic views society has these days.” Babar went on to say that they’re hoping to shoot first week of August — with Muneeb Nawaz doing the details on styling and wardrobe — and then roll out the video soon after. Khaver Siddiqi

Hotsteppers Of The Week: Zeb & Haniya

With the release of their debut album, Chup, which has made waves in the music scene, Zeb and Haniya are Instep's hotsteppers of this week.

Zeb and Haniya, two very talented young musicians, have proved to be professionals at what they do. Their debut album was sold out at the very day of its release and that didn't come to us as a surprise. After all, the duo is the only female musicians around.

With Zeb being trained under the guidance of Ustad Mubarak Ali Khan, it isn't a shock that the singer has greatcontrol over her vocals. Haniya, on the flip side, is a guitarist and that too, a very original one. Chup is a classic album and has proved to be a must buy for all and sundry.

These two have managed to create soft pop and folk music that defines originality. Their first video 'Aitebar', can be frequently seen on television and is directed by Saqib Malik. It consists of a couple dancing away gracefully and is shot at the very house of the director. 'Aitebar' focuses on expression through body language and has been immaculately executed.

Download Shehzad Roy's New Album Kismet Apnay Haat Main

The Wait For The Shehzad Roy's Brand New Album Qismat Apnay Haat Mein Is Over Now.The Album Was Launched Yesterday At The Juvenile Jail (that is a complex within Karachi Central Jail itself).This Time Shehzad Is Coming Up With More Political Than He Has Ever Been.
Here Are The Xclusive Links To Download The Full Album :





01 - Ek Baar.mp3
02 - Khul Kay Piyaar.mp3
03 - Qismat Apney Haat Mein.mp3
04 - Laga Reh.mp3
05 - Aankhien.mp3
06 - Quaid-E-Azam.mp3
07 - Zindagi (Feat.Abida Parveen).mp3
08 - Janay Kahan.mp3
09 - Darwaza.mp3
10 - Baro Chal (Tribute to Mai Bhagee).mp3
11 - Aankhien (Violoncello Version).mp3

Enjoy And Do Subscribe With Us For More Latest Updates.

Friday, July 25, 2008

Shehzad Roy's New Music Album Qismat Apnay Haat Mein Released


Shehzad Roy's Brand New Music Album Qismat Apnay Haat Mein Has Released Today On 25th july 2005 And The First Video From This Album "Laga Reh" Featuring Ali Azmat And others, Is Running Xclusively On Aag TV.

Cassettes & Cd's Available In Stores Now,Grab Your Copy Now.



Here Are The Few Promos Of His Album,Check These Out:
Promo 1 - http://www.youtube.com/watch?v=WKXeADrj4PA
Promo 2 - http://www.youtube.com/watch?v=S-y3TmOeUuQ
Promo 3 - http://www.youtube.com/watch?v=jadjTWcZJSM
Promo 4 - http://www.youtube.com/watch?v=ffKtOplJ4ks
Promo 5 - http://www.youtube.com/watch?v=L5Wob7TtMBE

Thursday, July 24, 2008

Download Zeb & Haniya's Debut Album Chup




We Have Brought For You Another Xclusive Album Chup By Zeb & Haniya.The Album Just Launched Few Days Back And Its A Must Buy.

We Have Ripped Album For You Guys @ High Quality 320 KBPS Rate.













Here Are the Links Below:
01_-_Chup.mp3
02_-_Rona_Chor_Diya.mp3
03_-_Kabhi_Na_Kabhi.mp3
04_-_Paimana_Bitte_(Pashto-Darri).mp3
05_-_Kahaan.mp3
06_-_Chal_Diye.mp3
07_-_Ahaan.mp3
08_-_Seh_Na_Sakay.mp3
09_-_Aitebar.mp3
10_-_Ban_Key_Touri_Jogan.mp3

We Highly Recommend You To Buy The Album And Support These Female Musicians.Its Uploaded Just For Promotional Purposes And Especially For Oversees Pakistanis.

Keep Visiting Us For More Xclusive Pakistani Music Updates And Album Downloads. To Get Quickest UpdatesYou Can Bookmark Us (ctrl+D) or Subscribe To Us By Email.

Coke Studio Episode 4 Featuring All Artists

Date revealed, to be telecasted on Sunday 10th August 2008, 10:00 pm on all local music channels

Featuring:
Ali Azmat
Ali Zafar
Strings
Sajjid & Zeeshan
Saien Tufail
Ustad Gullu
Saba & Selina
Mauj
Rahat Fateh Ali Khan.

Watch And Download: Zeb And Haniya's Video Aitebaar From Their Debut Album Chup

This is Zeb and Haniya's first video from their debut album, Chup. The song is a blues style number called Aitebar. The video was directed by Saqib Malik, choreographed by Omar Rahim, and the dancers are Omar Rahim and Joshinder Chaggar. The stylist for the video was Tariq Amin and the wardrobe was by Deepak Perwani.
The song is produced by Mekaal Hasan and the musicians playing are Gumby Pinto (drums), Kamran Mannoo Zafar (bass), Omran Shafique (Mauj, on rhythm and lead guitar), Zeb and Haniya (vocals)

Download Zeb & Haniya Debut Video Aitebaar


Tags:Zeb Haniya Aitebar Aitebaar Chup Saqib Malik debut album chup gumby ,meekal hassan

Wednesday, July 23, 2008

Watch & Download Video:Shafqat Amanat Ali Khan-Paimaan

Here Is The Video Of Paimaan By Shafqat Amanat Ali Khan,Directed By Sohail Javed and Produced by Johns Hopkins University, Center for Communication Programs.

Download Video From Here
or
Watch The Video Below:



Monday, July 21, 2008

Download OST Album Of Khulay Aasman Kay Neechay

Here Is The Xclusive Download Links Of The Khulay Aasman Kay Neechay-A Film By Javed Shaikh:

01 - Her Dil Mein Dil Bar.mp3
02 - Larki Mombai Ke.mp3
03 - Dil Day Toh.mp3
04 - Allah Allah Dulhan.mp3
05 - Dhoop Bhari.mp3
06 - Teri Arzoo.mp3


for more downloads and wallpapers visit their official site:
http://www.kakn.com.pk/

Coke Studio Episode 03 Featuring Ali Zafar,Saeen Tufail Ahmed and Sajid & Zeeshan

Artists: Ali Zafar, Saeen Tufail Ahmed and Sajid & Zeeshan
Drums: Gumby
Lead Guitar: Omran Shafique
Bass Guitar: Mannu
DJ, Keyboard: Zeeshan Parwez
Backing Vocals: Saba and Selina
Percussionist: Shezi
Dholak: Babar Khanna
Balochi Percussions: The Abdul Latif Band
Producer: Rohail Hyatt


Ali Zafar - Janay Na Koi




Download Audio HERE

Download Video HERE





Sajid & Zeeshan - My Happiness




Download Audio HERE

Download Video HERE





Ali Zafar - Chal Dil Meray




Download Audio HERE

Download Video HERE




Ali Zafar - Channo




Download Audio HERE

Download Video HERE




Ali Zafar - Rangeen




Download Audio HERE

Download Video HERE




Ali Zafar & Tufail Ahmed - Allah Hu




Download Audio HERE

Download Video HERE

Sunday, July 20, 2008

Shehzad Roy New Song "KISMAT APNE HATH MEIN"

90's Era Has Back
The News Is That Our Democratic Govt. Is Once Again Banning The Music Videos This Time Its Not "Ehtesaab" by Ali Azmat Or Any Junooni But Shahzad Roy. Probably This Video Is Ban Because Ali Azmat Is Acting In This Video As "Kaar-kun" Of Any Political Party(lol).

News Spreading Over The Internet Is That Shahzad Is Under Threat By Authorities And His Track Qismat From His Upcoming Album Is Ban.

Here Are The Few Lines From His Demo Song Qismat:
"Zulm na ker tu warna chor dein gay yeh galiyan
chand logon nay,

chand logon nay,

chand logon nay

leli hai qismat apney haath main"

Listen This Song Here

And Some Lines From His Banned Video.
in the start Shahzad says "main bees saal ka hua , mainay phir 9'0'clock news per suna k Pakistan ek nazuk mor se guzar raha hai"

the video clip is very interesting watch out now:





Zeb and Haniya Debut Album Chup Launched.


The Most Awaiting Album Of Zeb & Haniya Is Finally Out Now. The Album Is Named On Their Hit No. "Chup" & The Album Is Presented By Mobilink And Released Under Label Of Fire Records.

They Claim That It Is The
the debut album that breaks the rock/pop clutter of the Pakistani music scene.
Mobilink is launching the latest Album by Zeb and Haniya through a press conference on the 19th of July. The highlight of this launch is a brilliantly choreographed video of their track Aitebar, which is due to go on air the same day.

For Listening Promos Of Zeb n Haniya's Album Chup:
Click Here

We Have Got About 9 Old(Unplugged+live+covers) tracks by Zeb n Haniya But We Can't Share It Here.To Get These Tracks You Can Email at eXclusive_paki@hotmail.com

More Xclusive Music Coming Your Way Very Soon. So Dont Forget To Subscribe Us.

Friday, July 18, 2008

Download Aaroh Band's Latest Video Jaanay Kyun

Aaroh Band Is Back In The Scene With Their New Video Of "Jaanay Kyun" . The Video Is A Performance Based One And Doesn't Have Any Concept Or Story In It..The Video Is Directed By Sohaib Akhter This Time With D.O.P by Shahzad.

Download The Video From Here(10.8 Mb)
Or
Watch It Online Here:


Enjoy The Video And Keep Visiting All Pak Music Blogs For All The Latest Pakistani Music Updates & Xclusive Downloads.

You Can Also Get The Daily Updates Directly In Your Inbox By Subscribing Us.For Subscribing Use The Options At Right.

Thursday, July 17, 2008

Download Garaj Band's Debut Album Garaj

Garaj Band Just Launched Their Debut Album And The Album Name Is Also Garaj.
To Download The Album Follow The Links Below:

01 - Dil Muchlay.mp3
02 - Dil Naal Dil.mp3
03 - Aja Mahi.mp3
04 - Tujh Bin Ghar.mp3
05 - Tum Bin Lagay Nahi.mp3
06 - Yadain.mp3
07 - Tum Bin Ik Pal Chain.mp3
08 - Ajana Morey Balma.mp3
09 - Ruk Ja Ruk Ja.mp3
10 - Jis Din Na Milo Gi.mp3
11 - Tanha Tanha.mp3
12 - Saanchay Sur.mp3

To Know More About Garaj The Band Read These Two Recent Articles From Dawn:

What’s up with Garaj?

Garaj, a musical group whose music is based on a fusion of classical, rock, funk and hip hop, has been making waves on the Pakistani as well as Asian music scene for the past three years now, at the same time representing Pakistan as ambassadors of music.

Garaj has performed from small-time gigs on a local channel to a place like Royal Albert Hall in London (a concert held for the Oct 8 earthquake victims in December 2005), and has been appreciated by both the masses and critics alike. The lineup comprises two very different individuals — Imran Ahmed (guitars) whose major achievements include a selection of one of his poems by a Hollywood artiste record company way back in 1989 and Karam Abbas Khan (vocalist) who hails from the Gawalior Gharana and has a rich classical background (his father, grandfather and great grandfather were established classical singers of their time).

Garaj recently held the launch of their self-titled debut album in Karachi. The show commenced with a band called Moaaz opening for Garaj consisting of Aun Zaidi (vocals), Arsalan Ejaz (lead guitars) and Abdullah Aziz ( rhythm guitars). They started the proceedings with a cover of Junoon’s Lal Meri Patt, an exhilarating performance which got a lot of applause. They wrapped up with an original number called Na Rahe with some profound lyrics and a crisp rock sound.

Garaj finally arrived on stage and the two-member band kicked off with a classical bandish called Rageshwari, a fusion of eastern and western music that also had been performed at the Royal Albert Hall. There couldn’t have been a better start to the gig as it mesmerised everyone there that night. Aaja Mahi was a full-of-life Punjabi folk song which seemed very fresh and involved a multitude of instruments. What followed was the much heard Dil Machle, the video of which has been airing on the local music channels for quite some time now.

The event continued in full swing with a ballad soaked in romanticism, Tujh Bin Ghar Soona, with Karam’s alluring humming. Tum Bin Laage Nahin Dil belonged to the same genre as well and interestingly has been appreciated by Mahesh Bhatt as well.

The mood switched to hip hop with the track Anjana Balma and the rollercoaster ride came to a halt with a bandish called Mian Ki Tori where Karam impressed everyone with his alaap and sargam.

Talking to Images post-performance, the band members unanimously said: “Our album deals with issues of love, lost love, reminiscent of good times and some easy listening, as well as the rich classical element which caters to almost every genre. The best part was the release of the album; we loved everything about it and through it hope to take Garaj to the next level.”

— Shahzeb Shaikh From Dawn

RISING STARS: A Gamble Pays Off

Fusion music with Urdu lyrics sung to a heady mix of western and eastern beats is by no means a new phenomenon. However, the sound Garaj produces is a different ballgame altogether.

lmran Ahmed and Karam Abbas have all the makings of a mismatched combination — Imran is seriously into heavy metal and rock while Karam is basically a classical singer. The latter hails from the famous Gawalior gharana, and is the son of the late Ustad Ahmed Ali Khan. Yet, the gamble seems to have paid off for the music they are making has an interesting edge.

On how this unlikely partnership came about, Imran says, “I had gone to a studio to record when I heard Karam there. I couldn’t get over his voice, and suggested that we form a band. To my surprise, he expressed interest and we got together. We were so thrilled with the music we made that we decided to go ahead with an album. And Karam came up with the name Garaj for the band.”

On why he opted for Garaj over other possiblities, Karam ****, “The word garaj has deep association with classical music, and it is something that comes up frequently when one talks about the various metres in this genre of music. I thought it was an apt name to describe our style of music.”

Commenting on how people appreciate classical music but are not willing to promote it, Imran says ruefully “Although good poetry and classical music is part of our culture, we have let the Indians highjack both, and are doing very little to keep this art form alive. Our objective, when we released our first self-titled album, was to familiarise youngsters with the classical genre by giving it a popular flavour and fusing it with English music.”

“After learning from our experiences, we are now experimenting some more with the sound in our second album. This time round we are blending pure classical songs with western music. There will be a far greater element of the classical genre in the new one as compared to the old, in which we have allowed ourselves to become a little commercial by including pop numbers. Our second album will carry a very different sound from what people are used to,” **** Karam.

With no high-end videos to promote themselves, Karam Abbas and Imran Ahmed of Garaj now realise that they have lost out in a big way. “Today, music videos are so important that even if Tansen showed up in person, he wouldn’t be able to make an impact without one,” Imran **** ruefully.

Considering that Garaj was formed in 2004 and its first album came out early this year, why did it take so long? “Initially, we lacked proper guidance and direction. But we learnt by trial and error, made a lot of mistakes and people put hurdles in our path. Nevertheless, we persevered and have become the stronger for our trials.”

With no high-end videos to promote themselves, since they couldn’t afford any, Karam and Abbas realise that they have lost out in a big way in the past. Says Imran “Today, videos are so important that even if Tansen showed up in person, he wouldn’t be able to make an impact without one!”

So far it has basically been Garaj’s live performances on various television shows that have kept the duo in the limelight. Unlike most bands, they have no qualms singing live, with or without music.

What is it that makes them think that a partnership based on mutual admiration will survive, when many bands before them (formed on the basis of years of friendship) have collapsed? Says Imran, “Generally, ego comes in the way of band members, causing a rift and differences. Neither Karam nor I have any such issues. We are both very down-to-earth, pragmatic people. We’ve seen some very trying times together and survived it all together. I don’t think handling fame and fortune will be such a big problem.”

After speaking to the duo, it dawned on me that without proper financial support and connections, emerging talent in this country tends to have a rough time establishing itself in the rat race of the showbiz industry. Considering that there is always a dire need for newer acts in the music industry, it is a shame when talented people such as the Garaj duo don’t manage to strike it big just because the who’s who of the industry are not willing to give them a listen. If they do manage to rise above all odds, Garaj stands a fair chance of being the next best thing after Fuzon with Shafqat Amanat Ali.
— Shanaz Ramzi From Dawn

Coke Studio Episode 02 Reviewed By Umber Hyatt


Eastern classical music is an exacting science with an ancient history and a noble lineage. The art-form’s legendary Knowledge is steeped in mystery and shrouded in secrecy. It is due, in part, to the tradition of concealment and the arcane beliefs associated with it that the fusion of Eastern classical music with any other music is a rare and often controversial occurrence. Courageously stepping out from an environment where the mere mention of fusion can instigate a heated debate, Ustaad Hussain Bakhsh Gullu accepted the many challenges that Coke Studio had to offer.

The head of the famous Pattiala Family, Ustaad Gullu first met with Bilal Maqsood and Faisal Kapadia on the set of Coke Studio and soon found himself to be in surroundings that he could comfortably identify with - the environment of serious music and professional musicians. Himself a product of early training in classical music, Faisal Kapadia assumed the role of spokesman and within a surprisingly short time Faisal, Bilal and the Ustaad had struck up an easy rapport.

This session, the musical collaboration of Ustaad Hussain Baksh Gullu and Strings, has fundamentally profound implications. It transcends the visual and musical synergy of fusion, and bridges not just a genre gap, but also a generation gap. It conveys a radical change, a paradigm shift that introduces mutual respect. This Coke Studio session silently communicates an important message - the acceptance by the traditionalist of new and evolving art forms and a respectful appreciation by modern artists of their rich and ancient musical heritage.

While Coke Studio’s Episode 1 conveyed the force of passion in music, the second session is subtle, mellow. Classical music, due to its inherently delicate nature, was the most ideally suited for experimental fusion with Strings. The music draws you in gently, inviting you to experience a more finely textured emotional palette. Reflected throughout the session is the signature Strings sweetness that is both uplifting and inspiring. This is a session that will grow on you and stay with you - it has all the ingredients of a timeless classic.

Strings played their live Coke Studio session with a combination of their concert tour band and the Coke Studio House Band and the result was strikingly different. Starting off on an innovative note, Strings reinvent their No.1 hit song “Sar Kiyae hai Pahar” for the Coke Studio sessions, incorporating the entire Eastern rhythm section in a rousing celebration of sound. The Eastern cadence of the additional percussions gives the song an entirely new and exciting flavor. Bilal sings with feeling and emotion and holds unerringly true to key on “Sar Kiyae” while the backing vocalists contribute ably to rounding off this full-bodied Coke Studio version of a familiar love song.

Next, the Coke Studio House Band shine in subdued splendor in the hypnotic fusion number, known informally as The Ustaad Jam. Visibly in awe of the maestro in their midst, the musicians perform superbly - providing the perfect backdrop against which the Ustaad can demonstrate his genius. In a voice that is both soothing and arresting Ustaad Hussain Bakhsh Gullu skillfully plucks notes from the tapestry of sound around him, effortlessly weaving his alaaps over the repetitive and deceptively simple framework of keys, drums, bass and guitars. The Jam develops subtly, building almost unnoticeably to a trancy peak, with tablas featuring prominently towards the end and Gumby getting creative with brushes. All in all, the Ustaad mesmerized his audience - and his musicians. “I felt like I could have played that forever” says rocker Omran of the experience and many from the studio audience were later heard commenting that this indeed was truly sublime fusion.

Virtual unknowns, Saba & Selina are the next surprise that Coke Studio holds in store. Debuting memorably on Coke Studio, Saba and Selina look and sound all set to be stars. Casual and lighthearted “I’m in Love (I’m a Believer)” is the only cover song to feature on Coke Studio and was originally not intended to go on-air. The song came up at one of the informal behind-the-scenes jam sessions and since it sounded good, the girls spent the afternoon rehearsing and later that evening it was professionally recorded. The result of their efforts was good; so good that the song made it to Coke Studio’s Episode 2. Although neither one of these girls is a professional vocalist their talent is impressive. Equally impressive is their courage and confidence. Even seasoned performers will tell you that they still suffer from bouts of nerves when required to perform before an audience or cameras. However, Saba and Selina kept admirable control over their nerves and one must applaud them for a great performance under what must have been extreme pressure.

Bilal follows with “Anjaane”and the Coke Studio version is invigorating, vibrant and dynamic. Between them drummer Qaiser and bassist Shakir provide a solid and punchy groove and guitarist Adeel takes this opportunity to have his moment in the limelight with a flawless solo. As always, Bilal’s vocals are refreshing and distinctively unique.

The Strings continue their Coke Studio session with an effortlessly slick version of “Zinda”. The band does a particularly brilliant job on this song - Keyboardist Haider is especially note-worthy as he boldly abandons the familiar sweet piano sound of the intro for a very retro Ray Manzarek touch at the end. Faisal is impressive vocally and does the poetic interlude beautifully, speaking with expressive inflection.

The famous title track from their second album “Duur”, was the Strings chosen song for fusion and in an inspired (and inspiring) performance, “Duur” is reborn at Coke Studio. Keeping to the traditional structure of a classical performance, the Ustaad introduces the raag with an alaap, gracefully yielding to the contemporary pattern of verse and chorus when Faisal takes over. Faisal sings with striking confidence and intelligent control, creatively leaving space for the Ustaad to embellish with poignant emotion and infinite skill. The effect is spellbinding and the atmosphere unreal. The visual interplay between Ustaad Gullu and Faisal Kapadia is captivating while the vocal collaboration is breathtaking. When the song ended to a resounding applause, a visibly emotional Faisal Kapadia embraced the Ustaad, instinctively adhering to the traditional gesture of deference. Ultimately, “Duur” was the perfect closing to a memorable session.

Coke Studio Episode 01 Reviewed By Umber Hyatt


Musical fusion between rock and qawwali was a natural consequence of the compatibility of the two genres and the pairing of Ali Azmat and Rahat Fateh Ali Khan, a logical choice with exciting potential. Both artists are at the top of their game in their respective fields, have known each other for many years and have a genuine, mutual respect and fondness for one another.

Due to the relentless schedules dictated by both artist’s professional commitments at home and abroad Ali and Rahat got just one opportunity to rehearse together. For those present, the rehearsal was a memorable experience. For the Coke Studio House Band it was the moment of truth - would weeks of rehearsals sans vocals pay off? They did. The atmosphere on the studio floor was electrifying. A rehearsal that started with frayed nerves gave way to the magic of music and the subtle ministrations of Rohail Hyatt. An initially bemused and bewildered Rahat lost no time in absorbing the essence of the environment amidst Ali Azmat’s voluble and enthusiastic suggestions and a dozen musicians collectively preparing to raise the bar and simply rearing to prove their mettle.

Although Rahat Fateh Ali Khan’s album “Charkha” had just been released at the time of the Coke Studio recordings, Rahat and Rohail both felt that this was an ideal opportunity to pay tribute to Ustaad Nusrat Fateh Ali Khan with a rendition of one of his traditional melodies and Shammaan Paiyaan was chosen. A brief and intricately technical discussion with the band ensued and the Coke Studio version of “Shammaan Paiyaan” took shape. Taking advantage of the solid support, both musical and technical, available at Coke Studio, Rahat gave a memorable demonstration of his legendary flair for ex-tempo alaap in a highly emotional and evocative performance.

Rahat Fateh Ali Khan, recently returned from an international tour with Eddie Vedder performing the Michael Brookes versions of Nusrat Fateh Ali Khan’s Night Songs, says he was amazed and delighted with the level of professionalism and dedication evident at Coke Studio. “Today I can say that our musicians here in Pakistan are at par with international musicians,” said Rahat shortly after rehearsing with the Coke Studio House Band for the first time, “I have performed all over the world but I can say, with pride and without a doubt that I have never experienced anything like this.”

Eager to acknowledge Rahat’s contribution as co-writer/composer of “Garaj Baras” Ali Azmat instantly nominated the song as a perfect choice for collaboration. The Coke Studio version of “Garaj Baras” played to audiences across the country and has since received a stunned and unanimously ecstatic response. Garaj Baras ala Coke Studio mesmerizes and is slated to receive a new lease on life at the level of the Eagles, “Hell Freezes Over” version of ‘Hotel California.

“Baalamaan” from Ali Azmat’s unreleased new album “Kalashinfolk” debuted on Coke Studio as the second fusion track. It was chosen as it has its roots in the Eastern classical raag ‘Aimen’ and is a characteristic example of Ali’s surprising musical, emotional repertoire. Naturally, Rahat had never heard the song before so Ali, acoustic guitar and musical acumen in hand, ran over it a few times with him. The rehearsal for “Baalamaan” may have been brief, however, it was obviously cogent as the final performance was scintillating. The two vocalists created the perfect complement to one another and enthralled audiences with their instinctive and fluid performance.

Ali Azmat going solo, but still highly unorthodox, with his big band take on “Deewana” was this weeks unique musical make-over on Coke Studio. The obvious enjoyment of the band, especially the Balochi percussion ensemble and backing vocalist Saba and Selina, is contagious and contributes to the mood created by Ali’s crooning, cajoling vocals.

Hugely popular with younger audiences Mauj front man and Coke Studio House Band guitarist Omran Shafique brought the eternally catchy “Paheliyan” to the floor The highly energetic Coke Studio version gets the adrenalin going and prepares listeners for the finale “Gullaan”. Again, from Ali Azmat’s unreleased second album the song is a frenetic, poetic satire of lyrics and sound - a challenging number to do live, “Gullaan” live on Coke Studio is a phenomenal high!

Nadia Khan's Reply On Abhijeet's Comments About Atif Aslam.

The Issue Is Not Yet Finished ...Watch Out The Nadia Khan Show In Which She's Replying On Abhijeet's Comment About Atif.She Is Truly A Voice Of Pakistan.

Watch Out The Video Below:

Tuesday, July 15, 2008

Watch And Download Josh Nasha Pyar Da Official Music Video

Josh Has Released 6th Video From Their Album "Mausam" And The Song Title Is "Nasha Pyar Da" . Its JoSH's first performance based video and has been directed by the boys themselves and offers a look within the energy of a JoSH concert.

Download Josh Nasha Pyar Da Video Now

Watch The Video Below:


Enjoy The Video And Keep Visiting Us For More Latest Updates.

Ali Azmat's Second Solo Album KlashinFolk Releasing Soon

The News Is That Ali Azmat Is Going To Promote His Upcoming Album "KlashinFolk" During The Independance Day Weekend Across United States So We Can Expect That Album Will Be Released In Pakistan Before 14th August.

The Schedule For His Concerts :

August 15, 2008 - Seattle - UW Seattle

August 16, 2008 - Chicago - Hoffman Estate
Free Event www.suburbanpakistanis.org

Ali Zafar Talks About Coke Studio In His Official Blog Post

While Talking About Coke Studio In His Official Blog, Ali Zafar Writes

Coke studio is on its way . Airing on the 20th of july . What a wonderful experience it was . Working with the legendary Rohail Hyatt and a whole team of outstandingly talented musicians . I hung out at his place to check out the rushes the other day on my way to board out of the country for a day . His studio is exotic . There was also Omran who is a brilliant session guitarist and played for me in the coke show . We had some good pizza and a great discussion . There are some things that you can only relate to if you’re a musician or an artist . I’m so glad being a part of that community.
Complete Post Can Be Read Here

Monday, July 14, 2008

Najam Sheraz is back after a hiatus with


Khwabon Ke Rastey:

Najam is one artist who is always up to something stimulating and exciting. Be it a patriotic effort or a tribute for the Almighty, Najam has proved his mettle each time. His latest self-titled album has some terrific numbers namely, Khawabon Key Rishtey, Dil Tumhara Bhi Hai, Chorin Na, Chere Man Kai Taar, etc. The lead track, Khawabon Key Rishtey, is a personal favourite. The track kicks off with blazing guitar chords and soon Najam hits the bass with his high pitched energetic vocals. Probably, his best performance to date, Najam simply captivates the listener with his commendable voice equally supported by immaculate production work by Chris Eaton. I especially love the guitar play throughout the course of the song that has meaningful lyrics such as "Raastey dekhe, manzil na payi, saathi mile tau, per wo kalli me aayi, khwabon key rishtey hain".
The video of the track is unique in concept that carps at present
day evils such as child abuse, teenage addictions, etc. Although, the video has come under severe criticism from various music pundits, I believe it's high time one must gaze at harsh realities before it's too late. Hats off to Najam for making such a bold video!

Source : The MAG Weekly

Sunday, July 13, 2008

Coke Studio Episode 3 Featuring Ali Zafar,Sajid & Zeeshan & Tufail Sanjrani

Watch Out The Trailer For The Coke Studio's 3rd Episode Featuring Ali Zafar,Sajid & Zeeshan And Tufail Sanjrani.The Show will Be Telecasted on 20th July 2008 at 10 pm PST on local Music Channels.The News Is That Ali Zafar Has Impressed All The Coke Studio Team With His Vocals in Allah Hu. Lets Wait For The New Episode Till Then Watch This Promo.

Yeh Hum Naheen | Say No To Terrorism.

Download Yeh Hum Naheen Song Featuring
Strings,Ali Zafar,Haroon,Shuja Haider,Hadiqa Kiani,Shafqat Amanat Ali Khan And Ali Haider.


About Campaign:
In June 2008, The Yeh Hum Naheen Foundation launched a unique campaign to encourage the Pakistani people to take a united stand against terrorism and send a resounding message to those involved that they do not act in their name. The main aim of the campaign is to get people to sign a petition condemning terrorism, this they can do either in person with the team of 6000 Contact Ambassadors around the country, by SMS to 9460 or by this website. It is time to stand up and be counted –- Yeh Hum Naheen.



Source: www.yehhumnaheen.org

Shafqats sings Tishna Tishna For New Bollywood Movie "Zindagi Tere Naam"

A new bollywood number has been just released from the movie “Zindagi Tere Naam” sung by our own Shafqat Amanat ali. After having have shown his versatality in Mitwa, Yeh Honsla and then Tu hi Tu, this song is more a high beat number you can dance on. This is a duet song sung together with Sunidi Chauhan and Shafqat has clearly left her far behind. Normally a lady´s voice can touch the higher pitch relatively conveniently than a male vocalist but in this song Sunidi knew whom she has as her co-singer.

Aadesh Shrivastav calls Atif Aslam 'garbage' on Zee Saregama Show

It Seems Like Atif Has Become A Needle In The Eyes Of Old Indian Singers, They Have Left Their Professionalism And Start Abusing The Pakistani Artistes Who Have Already Got A Huge Fan Following In India With Their Releases In Bollywood And By Releasing Their Albums.We Have Already Seen The Comments Of Abhijeet Against Atif And Now This Time One More Musician Has Shown Its Jealousy.Yes The Big Name Of Bollywood Music Industry "Aadesh Shrivastav"

In A Tv Show "Sare Ga Ma Pa" Aadesh Shriwastav Used The Word Koodh Which Means Garbage In English.His Exact Words Were

"aaj koodh ko bhee gava ker k ...usko promote kar kar k ..usko hit karwatay hain" lol
No Need To Say Anymore, Words say it all.

Now Check Out The Video:

Call the Band Talking About Their Second Album & Bollywood Venture

Calling out again

'Laaree Chootee' has put Call in the limelight once again with an LSA nomination and the band is back with new verve after their first concert in the US of A!

Aqsa Hussain, Karachi


It was in 2002 when Call debuted on the scene with their album, Jilawatan. With massive hits like 'Nishaan' and 'Pukaar', the band heralded by Zulfiqar Jabbar Khan aka Xulfi quickly established itself as one of the best rock bands in Pakistan.

In 2007 came their trump card and it was 'Laaree Chootee' for the Indian film, Ek Chalis Ki Last Local. The film failed to make a mark but the song became a monster hit in and outside Pakistan.

This year Call have picked up a nomination in the newly-introduced category of Song of the Year at the Lux Style Awards for 'Laaree Chootee'. The band that has been AWOL from the spotlight and recently surfaced with their first overseas show in USA. Instep Today caught up with Call to find out where they are headed next and when their second album will release…

Instep Today: Tell us about your show in the United States of America?

Xulfi: It was an amazing experience. Playing rock in a place like USA, where rock has actually evolved, was quite a satisfying experience.

Plus, it was really nice to see how the audience had welcomed us. The Asian diaspora really waits for such events. Mainstream bands and artists that they see on TV channels, singing in their native language, makes the people living abroad nostalgic. It links them to their home. That's how music can actually bridge gaps between us and our people living abroad.

Sultan: And very importantly, playing alongside a fabulous foreign drummer, Albert, was quite a great moment for all of us. Wasn't it?

Xulfi: Definitely! He's one of the best drummers I've played with and the interesting thing was that his style of drumming actually went perfectly with our style of music, even though we had just two hours of jamming. From the fun we had over there, as a trip, to the concert, it was really great. The goras were very courteous towards us. In fact, we were pretty impressed with the way we were treated. Even if we went anywhere where people didn't know us, we never felt discriminated against.

Instep Today: Where did you guys perform?

Junaid: It was a one-off concert tour. The rest were interviews and photo shoots that we did for a magazine. In a nutshell, you can say that it was a concert plus a promotional tour for us. The concert happened in Fairfax, Virginia at the George Mason University. We never expected the crowd to actually sing all of our songs, but that actually happened, so we were pretty happy with everything. There wasn't any other mainstream performer, but there were a few Urdu singing bands (based in USA) who performed at the show.

Instep Today: 'Laaree Chootee' has been nominated in Song of the Year category at the LSAs. What do you think of your chances are of winning?

Xulfi: We are definitely excited. Everyone waits for the Lux Style Awards, from the fashion industry to the music and entertainment industry. I am pretty happy that a new category has been introduced to honour the song of the year for 2007. I know it's a pretty big achievement being nominated and I hope for a fair draw in the awards. There is strong competition obviously. Some of the top songs released last year have been nominated. And yes, we are hoping we will win. Being optimistic never hurts.

Instep Today: What about your upcoming album? It was supposed to be out in April...

Xulfi: We wanted it to be out in April, but that plan had to be delayed because of a few reasons. Firstly, the seldom upward and the more often downward trend of the political situation in our country did not really let the people focus on music during those days. So, if the audience wasn't geared up for listening, then neither were we as a band. Besides, it was a stressful situation for us. Besides being musicians, we're also citizens of Pakistan. We couldn't bring ourselves to really focus with so much going on in Pakistan.

Right now, the album is still in its recording phase. This time around, the album has live drums that we've recorded at Farhad Humayun's (Overload) studio in Lahore. It was fun engineering the drum sound with Farhad. I think we have come up with a drum sound that will hopefully be a benchmark for future albums coming out of our music scene.

Instep Today: Who has produced the album?

Junaid: Xulfi has produced the album, and the recordings are taking place at Xth Harmonic, Xulfi's studio. The drums, though, were recorded at Farhad's studio, and were engineered by Xulfi with help from Farhad.

Sultan: The interesting thing about the album is that a variety of drummers have played on the album. We have Farhad (Overload) playing on four of the tracks, Fahad Khan (Mekaal Hasan Band, ex-Fuzon) playing on a couple of tracks, and Kenny (Akaash) playing on three tracks. So there is diversity even in the style of drumming in the album as every drummer brings his own flavour while playing.

Xulfi: The album is lyrically and compositionally complete. The recording is more than half done. So in a month's time, we'll probably have it ready in our hands, which is good news for all our fans. Because the sooner we get it completed, the sooner it will release, hopefully!

Instep Today: Any upcoming videos?

Xulfi: The video for 'Yeh Pal' is going to release later this month or the first week of August. For those who don't know, 'Yeh Pal' is our next Bollywood venture, after 'Laaree Chootee'.

The rest of the videos, from the album, are probably going to be released near the album release. We are still deciding on which video director should direct which song's video. Whenever that's final, the video shoot, and consequent release dates would be announced.

Instep Today: Have you signed up with any record label as yet?

Xulfi: We're talking to with the major ones. We'll come to a conclusion soon enough.

Instep Today: It's turning out to be a big year for Pakistani music. Strings and Atif have already released their album. In the pipeline are albums from Ali Azmat, Mauj and Mekaal Hasan Band. Competitition is tough...

Xulfi: I won't make tall claims about our album. All I can is that this album is an honest, creative work of art, both musically and lyrically, that has evolved with time. Personalities grow, one comes up with new ideas, breaks old ones, moments happen that influence life in the most weird, and sometimes in the most beautiful of ways. Hence, one is inspired to write more intensely. Doing things to outdo other musicians isn't really the aim, because all artists are striving hard for a better music scene.

Source: Instep Today

Tuesday, July 8, 2008

Album Review: Ramchand Pakistani OST

The Ramchand Pakistani OST is a triumph
If Ramchand Pakistani is to be judged by its soundtrack - as many south Asian films are – then it has already moved hearts with its poignant background score, released in Pakistan this week.

By Maheen Sabeeh


Ramchand Pakistani, the upcoming and much anticipated film from Mehreen Jabbar has already created enough buzz to become the next best thing happening in Pakistani cinema post Khuda Kay Liye. Thankfully, there is someone like Mehreen to follow in Shoaib Mansoor's footsteps with a thinking film as opposed to a commercial one.

The human drama that has been screened at international film festivals such as Tribecca and Seattle (among others) has managed to win universal acclaim. BBC, Variety, New York Times, Film Journal International, New York as well a few other highly credible publications have given this cross border tale of relationships, identity and human struggle two-thumbs up.

Featuring Nandita Das, Rashid Farooqi and Syed Fazal Hussain in pivotal roles, Ramchand Pakistani - which is based on actual events - has already carved an audience for itself with favourable reviews from the foreign press. As for its date of release, one waits very eagerly.

Though no date has been announced, the recently held launch of its soundtrack was proof of an approaching date of release. And if the film is to be judged by its music - which is the case in so many South Asian productions - then the film is going to be poignant and soul stirring in the least.

In simple terms, Ramchand Pakistani is an amazing album. Not just for it's incredibly rich and powerful sound paired with the moving vocals of Shafqat Amanat Ali Khan and Shubha Mudgal but also that it transcends one into the distant and dry desert of Sindh where Champa loses her son to the land beyond the line of control.

The low-key and truly talented Debajyoti Mishra (Raincoat, Choker Bali) heralds the music direction with brilliance, while from Pakistan Anwar Maqsood pens the lovely and often heartbreaking words, Rohail Hyatt plays the role of sound engineer while Shafqat Amanat Ali Khan joins Shubha Mudgal on the daunting vocals. It is an infallible combination.

The soundtrack of Ramchand Pakistani is not very extensive - barely four original songs and an instrumental. But what takes it a step further is the selection of classic folk songs from Sindh that lend the album an authentic integrity.

It is unfortunate that folk music has withered away into the background while other genres have moved and found a voice in mainstream music. Needless to say, there is immense talent in the rural deserts of Sindh or the distant, culturally rich villages of Punjab.

With Ramchand Pakistani, traditional folk music, is dug up and reinvented to fit today's times without loosing its edge. Lingering flutes and sweet woodwinds, Ravanhatha - a two string stick fiddle - and various beefy percussions such as North Indian drums, matkas and possibly others meet acoustic and bass guitars and keyboards to form a dreamlike and beguiling soundscape.

Like the film that is spun around the borders of India and Pakistan, the soundtrack too meets experts from India and Pakistan for its creation.

Another man who must be mentioned is SM Shahid, the musicologist who plays the role of consultant to this ambitious and sonorous record.

The album not only incorporates folk influences but also delivers three iconic numbers from legendary folk artists like Allan Fakir, Ustaad M Jumman and Mai Bhaagi as a tribute.

One can hear Ustaad M Jumman's 'Yaar Dhadee', Mai Bhaagi's 'Neem Key Neechay' and Allan Fakir's 'Tarrin Paunda' on Ramchand Pakistani OST. These are songs that listeners in Pakistan may know well but for listeners abroad, these are unknown numbers. Ultimately it is this music that is a true reflection of the vast culture and tradition of Pakistan. Ramchand Pakistani has given these songs and these folk legends a platform that will take them to the world.

With all these giants of music tied together on one album, with well-crafted songs, it makes this OST one of the finest ever.


The wall of sound
The intricately constructed sound of Ramchand Pakistani never wallows in its own melancholy. It weaves a magic that changes moods sporadically. Whether it is the tragic and somber 'Phir Wohi Raastey' or the colourful 'Teri Meri Preet', the nostalgic tale of land that is 'Meri Maati' and the majestic 'Allah Meg Dey', the magic is persistent throughout this outstanding record.

The video of 'Phir Wohi Raastey' is running on airwaves these days and it is easily one of the 'best' tracks Shafqat Amanat Ali Khan has ever sung.


While the musical arrangements that make most use of percussions and the bluesy flute with Ravanhatha's subtle entrance in the middle, form the structure of this tortuous tune, it is the voice of Shafqat Amanat Ali Khan that elevates this song to a different level.

With Shubha Mudgal in the background, the song belongs to Shafqat as he sings, "Phir wohi raastey/Phir wohi rahguzar/Jaane ho ya na ho mera ghar woh nagar/Yeh kahani nahi jo suna doonga mein/Zindagani nahie jo gawadoonga mein (Once again, those roads/ Once again, those pathways/ I do not really know if that land is my home / It is not just a tale that I can simply narrate/ It is not just a life that I can simply lose)" - he brings a level of depth, touching inner despair in ways inconceivable.

Changing lanes, the album drifts away into something lighter and truly beautiful with 'Teri Meri Preet', a song filled with love and romance. And here one encounters Shubha Mudgal in all her glory, singing the words with as much conviction as with power.

The striking melody, sonorous and lighter musical tones with meatier drums in full force and coupled with poetic notions of an enduring love makes 'Teri Meri Preet' a full notch above average love ditties. There is an undeniable and earnest charm to this song.

If 'Teri Meri Preet' sees Shubha on a slightly restrained note, on 'Meri Maati' she lets go completely. The somewhat subdued number that reflects on the overwhelming love most people possess for their soil and the identity that remains attached to it is and a condition where that soil, that world is taken away, leaving one with a feeling of an irreplaceable loss, is captured by Shubha magnificently.

And then finally… the magic happens, the tune, which unites the vocals virtuosos Shafqat Amanat Ali Khan and Shubha Mudgal together.

'Allah Meg Dey' is a departure from the melancholic notes of 'Meri Maati' and again one finds shades of hopefulness. Complimenting each other's vocals, Shubha and Shafqat deliver like pros. This ornamental ditty that's at once intimidating yet inviting in its complete splendor.

And finally there is 'Ramchand Ka Safar' an instrumental tune, grand in sound, filled with the tender flute, weeping Ravahatha and a mélange of other instruments, evoking the figure of a lone boy walking across a stranded street. Mysterious at times, haunting at others, it's as powerful as the rest of the songs.

With Shubha's slight humming in the background and dialogues from the film interspersed to add more character, its commands attention.

The beauty of this album is not just in its meticulous treatment of each song but also its drifty character. From familiar territory towards the unknown, it ultimately finds its way into your dreams, reminding you of ancient folk tunes and the power of tradition that you may have forgotten.

For the director, Ramchand Pakistani is another milestone. If Raincoat was drenched in the theme of yearning and Choker Bali was about the regal, Ramchand Pakistani is about identity and loss.
Heartfelt and poignant, the album catches the emotional ambiguity at the soul of the characters that are spun around two borders, struggling for survival against adverse situations.

Bridging the divide
The score of Ramchand Pakistani stems from two sides of the border - India and Pakistan. And it is a reflection on the film itself that connects stories and people from around the world.
At the press launch of the music, one connected with Nandita Das who spoke of her delight working in the film, vis-à-vis a telephonic conversation from Bombay while Mehreen Jabbar thanked the supporters of the film from New York.

That is a reflection of how Ramchand Pakistani has helped in bridging divides and bringing people together. The film and its music may not be boasting of many superstars but it is this kind of a project that has already put Pakistan on the map. Ramchand Pakistani may not have the ingredients to become a box office moolah spinner, but it is a film that will reflect the power of sensitive storytelling that Pakistan can be proud of.

Most importantly, this film is a collaboration in the truest sense. Indian actress Nandita Das shares frames with Pakistani actors with Mehreen Jabbar at the helm of this project.
Even the music collaboration is not a one-off where a Pakistani song is incorporated in a film because of its popularity while musicians and music directors disagree on the rights of credits.

Ramchand Pakistani OST is exactly how a collaborative music album should be. Experts meet from both sides of the border on a common page and together create a complete album. This is not just another Bollywood-meets-Pakistani pop music effort.

And getting Shafqat Amanat Ali Khan from Pakistan and Shubha Mudgal from India is a musical casting coup. Two of the most powerful singers from the subcontinent not only unite but also sing original numbers.

Ramchand Pakistani OST is truly inspired, beautiful and extremely intelligent. It is an album that commands attention and we better listen up!

Source : http://jang.com.pk/thenews/jul2008-weekly/nos-06-07-2008/instep/mainissue.htm

Download Ramchand Pakistani Original Sound Tracks


Film starring Nandita Das, Maria Wasti, Noman Ijaz, Rashid Farooqi, Fazal Hussain.


'Ramchand Pakistani' is derived from a true story concerning the accidental crossing of the Pakistan-Indian border during a period (June 2002) of extreme, war-like tension between the two countries by two members of a Pakistani Hindu family belonging to the 'untouchable' (Dalit) caste, and the extraordinary consequences of this unintended action upon the lives of a woman, a man, and their son.

The singular theme of the film is how a child from Pakistan aged eight years learns to cope with the trauma of forced separation from his mother while being held prisoner, along with his father in the jail of a country i.e. India, which is hostile to his own, while on the other side of the border, the wifemother, devastated by their sudden disappearance builds a new chapter of her life, by her solitary struggle for sheer survival.

Belonging to one of the lowest castes in Hinduism (one of the "untouchables"), the family is also part of a small minority of Hindus in a country, which is the Islamic Republic of Pakistan, in which 97% of the people are Muslims. The boy and his father are held captive in India where, in contrast to Pakistan, the overwhelming majority of about 80% comprises of Hindus.

The film portrays the lives of a family that is at the bottom of a discriminatory religious ladder and an insensitive social system, which is nevertheless tolerant, inclusive and pluralist. The irony is compounded by the fact that such a family becomes hostage to the acrimonious political relationship between two neighbor-states poised on the brink of war.

Mehreen Jabbar's Official website:
http://www.mehreenjabbar.com/

Check out the official website for this film:
Www.RamchandPakistani.Com

Also, read this:
Mehreen Jabbar's Ramchand Pakistani

Download OSTs Of Ramchand Pakistani :
Allah Megh Dey.mp3
Dhadee.mp3
Khari Neem Ke Neechay.mp3
Meri Maati.mp3
Phir Wohi Raastey.mp3
Ramchand Ka Safar.mp3
Tarrin Paunda.mp3
Teri Meri Preet.mp3